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          Forgotten Records fr-999 
         
          
          RCA/Sony 
          Classical Box Set 
          Sony 88985470142 (CD4) 
         
          
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         RCA 
          Victor LSC-2360 (Stereo) [also remastered as a CD] 
          RCA Victor  
          LM-2360 (Mono) 
          Forgotten Records fr-998  
          (Stereo) (CD) 
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          RCA/Sony 
          Classical 88985470142 (CD box set, CD4) 
           
          Chopin Recital 
           
         Music 
          / MP3 
          Chopin - Recital 
        
        1. Prelude 
          No 18, Op 28 / 01_chopin_prelude_18_opus_28.mp3 
          2. Prelude No 2, Op 28 / 02_chopin_prelude_2_opus_28.mp3 
          3. Prelude No 14, Op 28 / 03_chopin_prelude_14_opus_28.mp3 
          4. Prelude No 4, Op 28 / 04_chopin_prelude_4_opus_28.mp3 
          5. Prelude No 5, Op 28 / 05_chopin_prelude_5_opus_28.mp3 
          6. Prelude No 8, Op 28 / 06_chopin_prelude_8_opus_28.mp3 
          7. Prelude No 19, Op 28 / 07_chopin_prelude_19_opus_28.mp3 
          8. Prelude No 20, Op 28 / 08_chopin_prelude_20_opus_28.mp3 
          9. Prelude No 23, Op 28 / 09_chopin_prelude_23_opus_28.mp3 
          10. Prelude No 24, Op 28 / 10_chopin_prelude_24_opus_28.mp3 
          11. Barcarolle, Opus 60 / 11_chopin_barcarolle_opus_60.mp3 
          12. Etude, Op 10, No 10 / 12_chopin_etude_opus_10_no_10.mp3 
          13. Etude in C, Op 10, No 7 / 13_chopin_etude_opus_10_no_7.mp3 
          14. Mazurka, Op 59, No 1 / 14_chopin_mazurka_opus_59_no_1.mp3 
          15. Mazurka, Op 59, No. 2 / 15_chopin_mazurka_opus_59_no_2.mp3 
          16. Mazurka, Op 56, No 1 / 16_chopin_mazurka_opus_56_no_1.mp3 
          17. Ballade No. 3, Op 47 / 17_chopin_ballade_no_3_opus_47.mp3 
        Review 
          on MusicWeb International Website (October 2014) 
          A review of the CD reissue of this record by Forgotten 
          Records (fr-998) 
          appeared on the MusicWeb 
          International website on October 9, 2014. Written by Stephen Greenbank, 
          this review includes: "To each [Prelude] he brings a wealth of 
          imagination and flair, and the more virtuosic ones (8, 19, 24) are dispatched 
          with panache and flair." Read 
          More. 
          
        Review 
          in High Fidelity magazine (September 1960) 
          André Tchaikowsky is obviously a sensitive young pianist, 
          but his playing on this disc is lumpy and undisciplined. He is apparently 
          trying to simulate "originality" with capricious salon mannerisms 
          and phlegmatic sentimentality, and the result here bears sad testimony 
          to his present musical immaturity. The player's tonal palette is limited 
          but RCA has reproduced it adequately.  
          H.G. 
          
        Recording 
          Date(s): 
          10, 
          11, 12 March, 1959 
        Recording 
          Location: 
          RCA Studios, New York City, NY USA 
        Release 
          Date: 
          October, 
          1959 
        Known 
          Details: 
          All 24 of the Opus 28 Preludes were recorded in a single take, however, 
          André rejected for release Preludes 1, 3, 6, 7, 9 to 13, 15 to 
          17, and 21, 22. The remaining Preludes, 2, 4, 5, 8, 14, 18, 19, 20, 
          23 and 24, appear on this recording. Little is known of this Chopin 
          recording session, but it is known that soon after the recordings session 
          in New York City (10, 11, 12 March 1959), André was back in Chicago 
          for concerts on 19, 20 and 24 March 1959. There, he played the Prokofiev 
          Piano Concerto No. 2 in G-minor, Opus 16. The reviewer for the Chicago 
          Daily Tribune, Claudia Cassidy, reports:
          
          André 
            Tchaikowsky, the young Polish pianist whose debut with the Chicago 
            Symphony Orchestra last season lit a fuse of highly inflammable virtuosity, 
            returned Thursday night to play a stunning performance of Prokofiev's 
            Second Concerto, under Fritz Reiner's clairvoyant direction. Mr. Tchaikowsky, 
            who has grown taller and stronger, came charging out on stage as if 
            he could hardly wait to get started. Once at the piano, he was instantly 
            fully at ease, as born pianists are, knowing they have come home. 
          This 
            24-year-old, whose age means nothing but plenty of time, the gods 
            willing, is altogether extraordinary. He has technique to burn, a 
            big, commanding style. He has imagination, the inner ear to listen, 
            the outgiving nature to share. His tone is full, rich, and sensitive, 
            his was with a phrase intuitive, because such things are not learned 
            in schools. In this entire concerto, which is full of booby traps 
            for the dullard, he made no sound that was not the right sound, the 
            sound the ear instinctively expected. It was, as played and saluted, 
            a superb performance. 
         
        André 
          was to play once more in Chicago this 1958-1959 season, after which 
          he returned to Europe and never gave another piano recital in the USA, 
          turning his back on America. André was just 23 years old. 
        
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